architecture

Street-Oriented Architecture (TPS Ep. 11)

Places where people like to be ALWAYS have street-oriented architecture. Have you had enough of the blank walls, garage doors, and parking lots along your si...

Perhaps the key distinguishing feature between vibrant urban places and the drab scenes Jim Kunstler once called “the geography of nowhere” is this:

Places where people like to be always have street-oriented architecture. The buildings are engaged with the street in some legible, designed way; there’s an indispensable building-to-street relationship that feels mutually reinforcing.

Anatomy of a main street storefront building

The street space, that “public room,” extends from building face to building face—so the way individual buildings are designed affects, and even creates, the experience we have in that space. Many traditional building types, lot layouts and architectural grammar evolved as they did for precisely this reason; they dependably create a good experience and present each building to its neighborhood in a respectable manner.

For example, porches within conversational distance of the sidewalk give houses a neighborly sociability, and provide an agreeable intermediate layer of space between the fully public street and the fully private interior. On intimate streets of rowhouses, stoops and dooryards leave no doubt about where the front façade of the building is.

The finished floors of most rowhouses in Old Town Alexandria are elevated above the sidewalk level for privacy.

In most cases, an elevated finished floor level on the first inhabited floor is useful because it gives the interiors of rowhouses and ground floor apartments an extra degree of privacy and dignity, offsetting the fact that they are so close to the public realm. If you’re walking by outside along the sidewalk, and the inhabitants have their curtains and shutters open, you might see their chandelier, but you won’t be staring at them sitting on the couch or seeing what they’re watching on television! You won’t feel like an intruder, and they won’t feel intruded upon. But here’s an important caveat: In our times, we also need to be sensitive when applying this traditional detail, by also making accommodations for accessibility and visibility. The traditional elevated finished floor makes access difficult for those in wheelchairs or with mobility impairments, so shared ramps, lifts, zero-step entrances into spaces below the piano nobile, slightly elevated alleys, and roll-in lobbies can all be employed.

Storefront buildings on King Street in Old Town Alexandria, Virginia. Small details of architectural grammar matter.

On commercial and mixed-use streets, well-designed storefronts are the key. Consider the anatomy of a traditional Main Street building. Again, the details of architecture intermediate between the public spaces and the private interiors. Awnings, arcades, colonnades, galleries and other appurtenances help us deal with the sun and rain, but they are also ways the architecture reaches out, engages with, and embraces the street space. On the most successful streets, there’s always a clear front door to each building, facing the street. Having frequent doors along the street reinforces the scene.

On main streets, mixed-use buildings should usually have an expression line just above the ground floor, such as a cornice or eyebrow, forming a base that separates the private upper floors from the public world of the commercial street scene below.

#WhatNotToDo

Now, compare all that to deep setbacks, parking lots in front, or to rows of garage doors and “snout houses,” and to blank walls. This soul-destroying pattern became commonplace in late 20th Century suburbia, yet it’s never been shown to work well at making a people-friendly place or street scene—not even once! By contrast, in traditional urbanism, pleasant streets and street-oriented architecture support each other, time and again. When the streets are hostile, we’ll invariably find buildings retreating from the street, recoiling, turning their backside toward the neighborhood.

#whatnottodo

Chattanooga. Photo: Kenneth Garcia

It’s not a style thing. Every architectural style, including modernism, has fine examples of street-oriented designs.

Street-Oriented Architecture: It’s number 11 on my list of Town Planning Stuff Everyone Needs to Know.  Check out Episode 11 of the series, and please share, comment, and subscribe. --Victor

The World Between Buildings (TPS Ep. 8)

Episode 8 begins a block of five short films on city life as it’s experienced outdoors, between buildings. Upcoming episodes focus on walkable and memorable streets, the importance of street trees, street-oriented architecture, and parks, greenways and blueways.

The "public realm" is where our first impressions of your whole city are formed. In this video, urban designer Victor Dover outlines how these spaces between...

The public realm

Towns and cities speak to us through their outdoor spaces—the public realm, the world between the buildings. Those public spaces, whether street or parks or squares or plazas, are composed, given their shape and focus, by the design and placement of buildings and the landscape. There’s usually a sense of enclosure and completeness where the public realm is strong. Sometimes the space is narrow, sometimes wide, at times intimate, at times opening up to and contrasting with long vistas.

Street-oriented architecture is a vital ingredient for a positive experience in the public realm.

Your city is a communications device. It’s sending you a message. Is it welcoming people?

Wide or narrow, as you move about the neighborhood day to day, the public realm is where you’re spending your time. And when that public realm is thoughtfully planned and designed, it sends you a message of confidence and comfort and neighborliness. It’s where memories are made, where friends can meet, where ideas are exchanged, where commerce and art and culture and civic life intersect.

Caveat: It could be sending everyone the wrong message.

Warning: Your public realm could be sending all the wrong signals

It’s easy, however, to get it all terribly backwards, and when the public realm is starved for attention and quality, it sends exactly the opposite message: that this is a place where nobody cares, a message of uncertainty. The public realm is where our impressions of the whole city or countryside are formed— for good or ill.

The public realm is just as important in rural places

Experiences

What experience is your neighborhood offering?

The public realm is crucial everywhere, but it’s especially so in cities that need to attract population and investors for revitalization, and in tourist destinations. Give people a good experience, and they’ll return, and help you build a stronger economy, a better tax base, and a creative culture.

If you want people to return, your public realm has to exude confidence. The design is crucial.

The public realm matters, so whether you’re a mayor or a real estate developer or just a taxpayer, it needs your attention. That’s #8 on my list of Town Planning Stuff Everyone Needs to Know. For more information, check out the Dover Kohl YouTube channel. —Victor

Ep. 2, The Importance of Design

The second episode of Town Planning Stuff Everyone Needs to Know is now on the Dover-Kohl YouTube channel. This short new installment introduces a crucial topic: why we can’t overestimate the importance of design, versus mere policy planning.

If you only know the land use or the density or the setbacks or the required number of parking spaces, you won’t know whether a development is good for the neighborhood or bad. In the video, we compare two places. The density? The lot size? The land use? All are exactly the same. But I’ll bet you’d prefer to live in one of them, and not the other.

The design is even more crucial than the land use. The character of a street scene comes from the building-to-street relationships, the landscape, the shape and quality of the public spaces, and the texture and proportions of the architecture. If your little lot or parcel presents a blank wall or a parking lot as its face toward the public realm, that will make everybody less likely to walk or bike or use transit—so small decisions have regional implications.

Design matters. That’s #2 on my list of town planning stuff everyone needs to know. Let us know what you think of the episode, watch for another one next week, and please subscribe to the Dover Kohl channel on YouTube. —Victor

New Video Series: Town Planning Stuff Everyone Needs to Know

Greetings friends and colleagues! Today, we’re introducing “Town Planning Stuff Everyone Needs to Know,” a new playlist on our Dover-Kohl YouTube channel. Please subscribe to the channel! Over a series of super-short videos, we’re going to take a journey into big ideas, about cities, that should matter to everyone, not just the professionals or experts. Watch these and you’ll be a ready citizen planner.

We’ll look at the root purposes of city planning, the importance of design, and designing in public—and, along the way, we’ll visit topics like architecture, street design, downtown revitalization, historic preservation, green building, lowering your neighborhood’s carbon footprint, the public health impacts of the built environment, and setting  your town up for walking, biking, and transit— plus some other surprise topics!

One target audience is the time-stressed, easily-distracted local elected official! So the videos are very quick, bite-size intros to best practices and key breakthroughs. Tell your mayor or councilperson to take a look, even if it’s just for one or two minutes at a time.

greenscreen.jpg

We’ve mounted an at-the-office and at-home team effort to create the first season of episodes, with Kenneth García, Pablo Dueñas and my daughter Theresa Lee helping film, animate and edit sequences, and my son Thomas composing and performing original background music. So, welcome to Town Planning Stuff Everyone Needs to Know! Share the clips, and let me know what you think.

—Victor Dover